This artistic research investigates sheep wool, not as an industrial product, but as part of a complex, multispecies meshwork1. where human and nonhuman agents mutually inform and shape each other and the landscape in an ongoing process of the world’s becoming. Thinking through a practice-based research, this project aims to explore what artistic tools are available today to untangle, map, and express these tangents of interspecies relationships. Following the journey of wool from pasture to sweater, this research relies on an interdisciplinary approach combining crafts studies, contemporary posthumanist philosophies,
such as New Materialism, Object-Oriented Ontology (OOO), or Actor-Network Theory (ANT), as well as Traditional Ecological Knowledge (TEK) of pastoralists, farmers, and craftsmen. Local  wool production has played a major role in forming  the cultural and geographical landscapes of Europe;
yet it is currently facing a devastating downfall. The aim of this research is not to find innovative solutions to the vast and complex problems of the  Hungarian wool industry, but to tell soft and tangled stories, in search of new narratives and approaches that can help us understand this beautiful but neglected material better.